A New Pedagogical Approach in Music Education: The Role of Imaginary Instruments and Performances
Abstract
This article discusses the results of a longitudinal study examining the impact of using imaginary instruments and imaginary performances in the context of music education. The findings suggest that these methodologies can be useful pedagogical tools in teaching rhythm, timing and musical expression.
Introduction
Music education has proven useful in various studies for both cognitive and emotional development. However, the conventional approach has limitations. This research proposes a revolutionary, yet scientifically based, approach: the use of air instruments as an initial pedagogical step in music education.
Methodology
The study included a diverse sample of aspiring musicians, subjected to a mixed method approach of both qualitative and quantitative data analysis. Follow-ups were conducted over a two-year period to measure longitudinal effects.
Findings
Imaginary Instruments as Pedagogical Tools
The results indicate that playing imaginary instruments such as the 'air guitar', and similar concepts for piano, drums and triangle, are effective in learning basic musical competencies. It allows students to focus on musical structures without the technical complications of a real instrument.
The Importance of Imaginary Appearances
The research also identifies a significant correlation between performing imaginary performances and increased self-confidence and decreased performance anxiety. This method functions as a kind of 'safe' environment in which students can practice.
Discussion
The findings of this study may have implications for the future of music education. Rethinking the initiation stage in music education can appeal to a broader range of individuals and serve as a stepping stone to more advanced musical skills.
Conclusion
This research offers an innovative perspective on the pedagogical framework in music education. Although further research is required to validate the results, the current findings suggest that integrating imaginary devices and imaginary performances can make a valuable contribution to the field.
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